27.12.2012 Aufrufe

Künstler - - Stift Admont

Künstler - - Stift Admont

Künstler - - Stift Admont

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Heinrich Anton Müller<br />

*Versailles 1869–1930, Münsingen Clinic, Switzerland<br />

Müller lived with his constantly growing family in Corsier beginning in 1898 and<br />

earned his living as a winery labourer – a modest profession which allowed him<br />

enough space for creativity.<br />

In a house he built himself, he set up his own workshop, using the hydropower<br />

of a stream following nearby. He built a gyroscope and a mechanical file; he<br />

patented a machine to cut grapevines in 1903. Other people exploited his<br />

invention. After this, Müller wandered aimlessly through the vineyards. He was<br />

admitted to the Munsingen Clinic in 1906, where he remained until his death –<br />

without being diagnosed.<br />

While in the clinic, Müller pursued his own, sometimes desperate projects. In<br />

1912, he hid himself away in a cave, he had before dug himself, and on a selfmade<br />

perch in 1913. A manner of helmet that he was saving food scraps in was<br />

taken away from him. Beginning in 1914, he constructed wheels from rags, wire<br />

and branches with the help of his excretions and secretions, and from these<br />

machines, which he destroyed again and again, in rage over his internment.<br />

He began to write and draw in 1919, wondrous creatures with mechanical<br />

innards, grimaces as well as tender children’s pictures, like fairytales – as well as<br />

vines.<br />

He gave up in 1925 and spent most of his time lying in the garden behind a<br />

shrub, or at the window, peering through a telescope...<br />

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