Antiquariatsmesse Stuttgart 2021 - Katalog

the two numbers of the second series in original
printed wrappers. Slight soiling to covers and light
browning to some leaves, but overall this set is in
excellent condition. Printed on different types of
luxury paper of varying colour, in black and white
with occasionally colour added. € 18 000,–
Complete run of the most important periodical for Portuguese
Modernism, succcessor to Orpheu. Directed
by José Régio, João Gaspar Simões and Branquinho da
Fonseca (lateron replaced by Casais Monteiro). With
innovative avant-garde typography and page-make-up.
PTL [pe tje ly]. Tijdschrift voor letteren en schoone
kunsten. First series nos. 1–5 and 7–9; Second series
nos. 1–6. Ed. L. D. Vancrevel and H. de Vries.
Arnhem, M. Israel, 1963–1968. 14 parts in 12 vols.,
(tipped-in) plates/ills. by i. a. V. C. Ader-Laudy, J. H.
Moesman, L. D. Vancrevel (= Dirk Willem van Krevelen)
and Herman de Vries, printed in an unspecified
small (150?) number of copies, orig. (not uniform,
handmade) wrappers, various sizes, together
in two privately made board boxes. € 9000,–
Extremely rare Dutch Artist Periodical, tied to surrealism,
containing (stencilled) contributions by J. Cremer,
H. Mulisch, J. C. van Schagen, S. Vinkenoog, F. de Vree,
H. de Vries and many others.
Rubber (Stempelpaats – Amsterdam). Edited by
Aart van Barnevelt, exclusive stamp art and mail
projects magazine. A monthly bulletin about the
use of rubberstamps in the arts. Wants to document
the use of stamps in the plastic art internationally
as broad as possible. Published by Stempelplaats,
which was a mail art gallery in the shop of Posthumus
Rubber Stamp Makers in the St. Luciënsteeg
in Amsterdam. Produced for small circulation and
distribution in the shop. Each with short text about
the works of the exhibiting artists, a number of original
prints of the stamps the artists used in their
work and some reproductions of works. Published
by Stempelplaats Amsterdam 1978–1981: complete
collection of the four volumes of the periodical Rubber
and with all (except 4) printed invitations to the
openings of the Stempelplaats exhibitions (which
accompanied the numbers of Rubber for the individual
artists). In addition the collection contains 32
rare ephemeral items related to Stempelplaats and
the exhibitions which were separate and not covered
in Rubber. € 10 000,–
The collection contains work by (i. a.): Cozette de
Charmoy, Robert Jacks, Barton Lidice Benes, Pawel
Petasz, Marie C. Combs, Ulises Carrion, Dik Walraven,
Elsa Stansfield / Madelon Hooykaas, Ray di Palma,
Ana Banana / Bill Gaglione, Franz Immoos, Davi
Det Hompson, Karimbada, Paulo Brusky, Leonard
Frank Duch Diter Rot, Bart Boumans, George Brett
/ Henryk Bzdok, Ken Friedmann, R. Saunders, Raul
Marroquin, R. D. Schroeck / Eduard Bal, Endre Tot,
and several others.
Soundings. Volumes 1–16 [Complete]. Sylmar,
California: 1972–1990. First edition. 4to, various
paginations. 16 numbers in 13 volumes. Some issues
with individual titles. Title written ink to edge of
text block of two issues, single small unobtrusive
ink notation to the cover of one issue, but generally
near fine to fine. € 4000,–
Edited by Peter Garland, who started this following
a workshop attended at California Arts Inst with
Dick Higgins. Soundings was notable for reproducing
scores, many from the composer’s holograph. Number
13 is a special issue devoted to the music of James
Tenney. With contributions across the numbers by
Lou Harrison, Pauline Oliveros, Wolfgang Stoerchle,
Harold Budd, James Tenney, Robert Ashley, Harry
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