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Arabische Pferde IN THE FOCUS 4/2020 (Vol. 24) - public

Zeitschrift für Liebhaber und Züchter Arabischer Pferde

Zeitschrift für Liebhaber und Züchter Arabischer Pferde

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Zucht<br />

means that emphasis must also be placed<br />

on maintaining those lines that do not correspond<br />

to current fashion - and this fashion<br />

today means the "ideal", shaped by the Saklawi-I<br />

line. Another guiding principle is that<br />

beauty and functionality are not excluding<br />

each other, but where breeders only focus<br />

on beauty, functionality is lost - and that is a<br />

path of no return.<br />

Philippe Paraskevas did not have this awareness<br />

from the beginning. He started his original<br />

breeding program without a clear vision<br />

of where it would lead. It took time until<br />

he developed a breeding alternative to the<br />

mainstream, but then he began to collect<br />

the best specimens of some rare bloodlines<br />

and started to breed with them - always in<br />

an effort to preserve their peculiarities. He<br />

has thus dedicated himself to preservation<br />

breeding in the truest sense of the word, including<br />

- or above all - the preservation of<br />

non-commercial lines that are easily lost in<br />

a market-oriented environment.<br />

Preserving Sire Lines<br />

Today Philippe Paraskevas is probably the<br />

only breeder, alongside El Zahraa, the Egyptian<br />

state stud, who maintains all three Egyptian<br />

sire lines. However, he maintains them<br />

with a different focus than the state stud,<br />

where around two thirds of the stallions belong<br />

to the Saklawi-I line, a line that has supplanted<br />

the Gamil El Kebir and above all the<br />

El Deree lines worldwide. Here at Paraskevas,<br />

these last two lines are particularly well looked<br />

after, the Saklawi I line he recently added<br />

for the sake of completeness.<br />

The Gamil-El-Kebir line split into two branches<br />

at the beginning of the 20th century via<br />

the two stallions Ibn Samhan and Ibn Rabdan.<br />

Paraskevas’ chief sire Ghallab El Ateya<br />

(Rizkallah / Shameya) * 2002 belongs to this<br />

latter line via Ibn Rabdan. He was shown to<br />

us proudly ridden by Maarouf Sirhan, the<br />

trainer, during our visit. Ghallab goes back to<br />

Anter, who became known in Germany as the<br />

sire of Gharib. According to Paraskevas, this<br />

line is characterized by excellent riding characteristics<br />

and above-average movements.<br />

They are rather strong, rounded horses with a<br />

lot of girth depth – so, the long-lined, elegant<br />

Gharib clearly falls out of the role and is probably<br />

more like his dam Salwa in conformation.<br />

Ghallab’s most important son at the stud<br />

is Shaer Al Nile, who is ridden for us by 12-year-old<br />

Ziad, a grandson of Hammad Rabeii.<br />

Also, Shaer Al Nile is “round” like his sire, but<br />

his face is a bit more “modern”. We are also<br />

introduced to a Ghallab great-grandson, the<br />

three-year-old Tag Al Ola (by Shaer Al Nile) in<br />

which the extremely large nostrils are noticeable<br />

when in motion, which gives the face a<br />

lot of nobility. Apart from that, he stands in a<br />

square format and is characterized by a good<br />

top line and correct legs, he also knows how<br />

to carry himself in motion. As a highlight, the<br />

Ghallab son Faress El Ahlam and the grandson<br />

Gawad El Nile are ridden in front of us,<br />

this time as "dancing horses", as is traditional<br />

in Egypt. Both stallions are characterized by<br />

extremely strong hindquarters, which allow<br />

them to keep this piaff-like exercise for several<br />

minutes. We see a total of 12 descendants<br />

of Ghallab in the first to third generation and<br />

slowly we understand the description of this<br />

line given at the beginning.<br />

Now one might wonder why a breeder has 12<br />

stallions from the same line? Basically, they<br />

are a gene reservoir, because twice in the<br />

past Paraskevas had almost lost a sire line<br />

when the chief-sire died without a corresponding<br />

number of offspring to replace him.<br />

Paraskevas does not want to face this fate<br />

again - therefore he keeps a large number of<br />

stallions.<br />

Tahseed el Leil (Nahedd / Sehr El Leil Hoor)<br />

*2014 - damline / Stutenlinie El Kahila (Kohailan<br />

Krush)<br />

14<br />

El Deree – the Outcross<br />

The second sire line of Paraskevas is that of El<br />

Deree. This line is only represented by five (of<br />

31) stallions in El Zahraa (see AP 1/<strong>2020</strong>, p.<br />

12), in Germany it was once present through<br />

Morhaf, but is now completely extinct here.<br />

El Deree was a "desert-bred" and he was a<br />

superior racehorse, bred by a Bedouin tribe<br />

in the Al Jazirah (Syria) and thus has a different<br />

origin than most of the other horses of<br />

the EAO / RAS / Inshass, many of which came<br />

from Saudi Arabia. This makes him an ideal<br />

"outcross”. El Deree set himself a monument<br />

with his son Sid Abouhom, whose daughters<br />

Lubna, Mouna and Mabrouka out of<br />

the legendary Moniet El Nefous brought her<br />

dam line to world fame. Today the El Deree<br />

line always goes via Akthal, and so the two<br />

Paraskevas stallions Zay Al Hawa and Sawwah<br />

go via Ibn Akhtal, while Ala Baly traces<br />

via Ibn Akthals half-brother Aybac back to El<br />

Deree. Zay Al Hawa inspires me with his clearly<br />

contoured muscles - the racehorse from<br />

back then really seems to shine through. And<br />

the legs, too, are dry like in a desert-bred. Ala<br />

Baly shows perhaps more overall harmony in<br />

his body, while he was presented to us very<br />

dynamically under the saddle.<br />

To complete the stallions, representatives of<br />

the Saklawi I line also found their way into<br />

© ARABISCHE PFERDE - <strong>IN</strong> <strong>THE</strong> <strong>FOCUS</strong> 4/<strong>2020</strong>

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