II. Anmerkungen zum Buchtext, Teil II - Einsnull

Page 340
Rough scetches in the Köhler family’s visitor’s book, spring 1961: Walter Bluhm (left), Arno Paulsen
Page 341
Conny Schumann’s GEMA music list for DICK UND DOO IM SÄGEWERK (BUSY BODIES, 1933)
Page 342, top
Beta Technik’s home in the early 1960s: Zielstattstraße, München
Page 342, bottom
Heinz Caloué’s report April 23, 1961, referring to the technical troubles during the dubbing sessions for the
Laurel and Hardy series
Page 343, top
Laurel and Hard supporting voices, 1960/61 at «Beta Technik». romleft to right: Mady Rahl (1960), for
Mae Busch; Rosemarie endel (1958), for Anita Garvin; Marianne Wischmann (1950s), e.g., the Hardy wives;
Klaus Werner Krause (1963), for James inlayson
Page 343, bottom
Supporting voices continued. romleft to right: Erik Jelde (1970s), e.g. for Walter Long; Werner Lieven
(1965), e.g. for Billy Gilbert and Rychard Cramer; Kurt Zips (1963), e.g. for Arthur Housman; Erich Ebert
(1955), for Charlie Hall
Page 345
lyer for KINO ANNO DAZUMAL, 1955
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romleft to right: Werner Schwier, Konrad Elfers, Géza Janós, in the studio for Es darf gelacht werden
(1962)
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Werner Schwier requests Hardy’s solo film LES PUCES SAVANTES = THUNDERING LEAS
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TVguide entry for Es darf gelacht werden, August 6, 1961
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Werner Schwier (left) and Konrad Elfers preparing another episode of Es darf gelacht werden, November
1963
Page 348, top
Buster Keaton (left) and Werner Schwier: Keaton personally appeared in the show Es darf gelacht werdenon
June 19, 1962
Page 348, bottom
Attorney Laurel practising the Stan weep (LOVE ‘EM AND WEEP, 1927)
Page 351, top
NWD: a new wave of «Dick und Doof», late 1950s
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NWD-Unitas 1961 poster art for DICK UND DOO IN DER REMDENLEGION (THE LYING DEUCES, 1939)