II. Anmerkungen zum Buchtext, Teil II - Einsnull

Page 192, top
Laurel and Hardy doubles promoting HINTER SCHLOSS UND RIEGEL (ANY OLD PORT, PARDON US plus ONE GOOD
TURN), Hamburg 1950
Page 192, bottom
1950 Prisma still for HINTER SCHLOSS UND RIEGEL (ANY OLD PORT, PARDON US und ONE GOOD TURN) using a scene
from the lost German phonetic version HINTER SCHLOSS UND RIEGEL (PARDON US)
Page 193, top
1950 ad for LANGE LEITUNG (BLOCKHEADS, 1938)
Page 193, bottom
German 1950 poster art for LANGE LEITUNG (BLOCKHEADS, 1938)
Page 194, top
Combined 1950 ad for HINTER SCHLOSS UND RIEGEL (ANY OLD PORT, PARDON US plus ONE GOOD TURN) and LANGE
LEITUNG (BLOCKHEADS, 1938)
Page 194, bottom
Prisma 1950 advertising car promoting HINTER SCHLOSS UND RIEGEL (ANY OLD PORT, PARDON US plus ONE GOOD
TURN) and LANGE LEITUNG (BLOCKHEADS, 1938)
Page 195
Classification application for SWISS MISS (ebruary 1, 1950)
Page 196, top
Title registration for DICK UND DO UNTER BANDITEN (OUR RELATIONS, 1936), April 14, 1951.
Page 198, top
Stan’s harp-esque musical interlude (THE LYING DEUCES, 1939)
Page 198, bottom
Reincarnation Laurel and Hardy style. (THE LYING DEUCES, 1939)
Page 200, top
US poster arts with Anti-Nazi-Propaganda (NOTHING BUT TROUBLE, 1945)
Page 200, bottom
Timing, suspense ala Lloyd, and fine back projection save the finale of the otherwise mediocre NOTHING
BUT TROUBLE (1945)
Page 201, top
German 1950 poster art for DIE STIERKÄMPER (THE BULLIGHTERS, 1945)
Page 201, bottom
Laurel in Paris 1950, on the way to shooting ATOLL K (1951)
Page 202, top
«ox makes money Geld!». Centfox’ invitation to a preview of STIERKÄMPER WIDER WILLEN (THE BULL-
IGHTERS, 1945)
Page 202, bottom
German 1950 poster art for DICK UND DOO ALS STUDENTEN (A CHUMP AT OXORD, 1940)