II. Anmerkungen zum Buchtext, Teil II - Einsnull

Page 62, top
They really were called Dick und Dof: original title from the rediscovered SPUK UM MITTERNACHT (1930)
Page 62, bottom
Stan and Ollie, reading and speaking German (top row) and discussing «Julius Cesar» with the inspector
Lucien Prival. (SPUK UM MITTERNACHT, 1930)
Page 63
Stills SPUK UM MITTERNACHT (1930), with Otto ries as train conductor (left) and Clara Guiol as a disparaging
dame (right)
Page 64, top left
Still from SPUK UM MITTERNACHT (1930)
Page 64, top right
Still SPUK UM MITTERNACHT (1930), with Lucien Prival as the inspector.
Page 65
THE HOLLYWOOD REVUE O 1929 (1929): Laurel and hardy, magicians missing from the German version WIR
SCHALTEN UM AU HOLLYWOOD (1929)
Page 66
1931 ad for WIR SCHALTEN UM AU HOLLYWOOD (1930)
Page 68, bottom
HINTER SCHLOSS UND RIEGEL (1931, the German phonetic adaption of PARDON US): German souvenir program.
Page 69, bottom
Different versions, differing actors (PARDON US, top, and HINTER SCHLOSS UND RIEGEL, bottom, 1931)
Page 74
A steep staircase: THE MUSIC BOX (1932)
Page 88, bottom
German 1933 ad (detail) von 1933 for EMMA, DIE PERLE und VOM REGEN IN DIE TRAUE («SCRAM!»)
Page 89, bottom
German 1933 ad for WER ANDERN KEINE LIEBE GÖNNT... und HARTE EIER UND NÜSSE (COUNTY HOSPITAL, 1932)
Page 91, bottom
German 1933 ad for BUSTER HAT NICHTS ZU LACHEN (THE SIDEWALKS O NEW YORK, 1931) and EIN HUNDEWET-
TER (LAUGHING GRAVY, 1931)
Page 93, top
The regular, quarataine-suicide ending of LAUGHING GRAVY (1931)
Page 93, bottom
The less morbid, alternate ending: Stan forfeits an inherited fortune in order to stay with his old friend.
(LAUGHING GRAVY, 1931)
Page 96
German 1933 poster art for DIE TEUELSBRÜDER (THE DEVIL’S BROTHER – RA DIAVOLO, 1933)