PROGRAMM - DAGA 2012
PROGRAMM - DAGA 2012 PROGRAMM - DAGA 2012
168 DAGA 2012 ProgrammMi. 9:45 chromium 2.02 Virtuelle Akustik 2Design and integration of a 3D WFS System in a cinema environmentincluding ceiling speakers - a case studyF. Melchior, S. Mauer und M. DauselIOSONO GmbHWith 3D picture being the driving force of today’s motion picture production,there is a growing need for adequate audio solutions with flexible3D loudspeaker setups. While these reproduction systems will have tofulfill high quality demands, the amount of loudspeakers should be keptas low as possible to optimize commercial aspects. Driven by the market,real 3D including loudspeakers mounted directly on the ceiling are arequirement for next generation cinema audio systems. This paper describesthe design and integration of a newly developed 3D spatial audiosolution based on wave field synthesis in a cinema environment. Thepaper discusses the acoustic design process of such a system basedon simulations and the integration based on an example installation in acommercial 400 seat cinema.Mi. 10:10 chromium 2.02 Virtuelle Akustik 2Ambisonic panning with constant energy constraintH. Pomberger und F. ZotterInstitut für Elektronische Musik und Akustik, KU GrazAmbisonics with height can be regarded as a panning technique forspherical loudspeaker arrangements surrounding the reproduction area.It applies a continuous panning function which is evaluated at each loudspeakerposition. A panning function with limited angular resolution isconveniently expressed by series of spherical harmonics of finite order.Ambisonics panning with uniformly arranged spherical loudspeakerarrays achieves good perceptual localization of virtual sound sources.However, panning performs unsatisfactorily with nonuniformly arrangedloudspeaker arrays. Virtual sources panned to directions with only sparseloudspeaker coverage appear with altered loudness levels. This contributiondiscusses a new Ambisonic panning approach which overcomesthis problem by imposing a constant energy constraint.
Programm DAGA 2012 169Mi. 14:00 chromium 2.02 Virtuelle Akustik 2Spherical Slepian functions for interpolation of spherical measurementdataF. Zotter und H. PombergerInstitut für Elektronische Musik und Akustik, KU GrazFar field radiation patterns of sound sources can only be measured atdiscrete directions. In many cases, the sound pressure between themeasurement points is also of interest. Radiation patterns are assumedto be smooth, hence permit interpolation with spherical harmonics of limitedorder. Spherical harmonic interpolation is well-behaved if discretemeasurements are available for sufficiently many, uniformly spaced directions.However, if the measurements cover only the directions of ahalf space or less, spherical harmonic interpolation is ill-posed. SphericalSlepian functions are useful for interpolating measurement data thatare available only for a limited angular domain. We show how to obtainsuitable spherical Slepian functions from the spherical harmonics.Applying these functions yields smooth interpolation within the measureddomain and a well-posed problem. These Slepian functions are alsoapplicable for Ambisonics and directional source description in spatialsound rendering.Mi. 14:25 chromium 2.02 Virtuelle Akustik 2Practical Aspects of the Calibration of Spherical Microphone ArraysT. Rettberg, K. Helwani, S. Spors und H. BuchnerDeutsche Telekom Laboratories, TU BerlinSpherical microphone arrays have been widely studied for acoustic sceneanalysis and beamforming. High resolution acoustic scene analysisrequires a high number of microphones. The analytical derivation of nonadaptivebeamforming filters for spherical arrays is based on the assumptionof identical spatio-temporal behavior of the individual microphones.In practice, an equalization stage for the array microphones is usedto cope for their individual characteristics.This paper presents practical calibration results for a 64-channel rigidspherical microphone array. The work is based on a recently proposedapproach using multiple-input/multiple-output system inversion. Practicalconsiderations regarding the measurement process and the numericalstability of the inversion are discussed. The performance of the obtainedbeamformer filters is evaluated and compared to analytically derived beamformerfilters with respect to the directivity gain and white noise gain.
- Seite 120 und 121: 118 DAGA 2012 Programmwichtige Roll
- Seite 122 und 123: 120 DAGA 2012 ProgrammDi. 17:45 ger
- Seite 124 und 125: 122 DAGA 2012 ProgrammRecognition (
- Seite 126 und 127: 124 DAGA 2012 ProgrammDi. 16:30 rad
- Seite 128 und 129: 126 DAGA 2012 ProgrammThe resulting
- Seite 130 und 131: 128 DAGA 2012 ProgrammSprachmerkmal
- Seite 132 und 133: 130 DAGA 2012 ProgrammDi. 15:15 neo
- Seite 134 und 135: 132 DAGA 2012 Programmverwendeten c
- Seite 136 und 137: 134 DAGA 2012 Programmwas built to
- Seite 138 und 139: 136 DAGA 2012 ProgrammDi. 15:15 hel
- Seite 140 und 141: 138 DAGA 2012 Programmder Akustikso
- Seite 142 und 143: 140 DAGA 2012 ProgrammMi. 9:20 Spec
- Seite 144 und 145: 142 DAGA 2012 ProgrammAuswertung de
- Seite 146 und 147: 144 DAGA 2012 ProgrammDazu wird ein
- Seite 148 und 149: 146 DAGA 2012 Programmauch die Krä
- Seite 150 und 151: 148 DAGA 2012 ProgrammMittwoch (ab
- Seite 152 und 153: 150 DAGA 2012 Programmeinen faserve
- Seite 154 und 155: 152 DAGA 2012 Programmüber kleine
- Seite 156 und 157: 154 DAGA 2012 ProgrammMi. 16:30 Spe
- Seite 158 und 159: 156 DAGA 2012 Programmsich auch auf
- Seite 160 und 161: 158 DAGA 2012 Programmder Flankenü
- Seite 162 und 163: 160 DAGA 2012 Programmzum Körpersc
- Seite 164 und 165: 162 DAGA 2012 ProgrammMi. 15:15 Spe
- Seite 166 und 167: 164 DAGA 2012 ProgrammWohnen” deu
- Seite 168 und 169: 166 DAGA 2012 ProgrammSitzung „Vi
- Seite 172 und 173: 170 DAGA 2012 ProgrammMi. 14:50 chr
- Seite 174 und 175: 172 DAGA 2012 Programmentwickelten
- Seite 176 und 177: 174 DAGA 2012 Programmund der steer
- Seite 178 und 179: 176 DAGA 2012 ProgrammMi. 8:55 vana
- Seite 180 und 181: 178 DAGA 2012 ProgrammMi. 10:10 van
- Seite 182 und 183: 180 DAGA 2012 Programmund Seefahrze
- Seite 184 und 185: 182 DAGA 2012 Programmresults. Base
- Seite 186 und 187: 184 DAGA 2012 ProgrammMi. 18:10 van
- Seite 188 und 189: 186 DAGA 2012 ProgrammSitzung „L
- Seite 190 und 191: 188 DAGA 2012 ProgrammUm Veränderu
- Seite 192 und 193: 190 DAGA 2012 ProgrammFür solche A
- Seite 194 und 195: 192 DAGA 2012 Programmund Verarbeit
- Seite 196 und 197: 194 DAGA 2012 Programmdistinkten te
- Seite 198 und 199: 196 DAGA 2012 Programmwenn verschie
- Seite 200 und 201: 198 DAGA 2012 ProgrammMi. 10:10 pal
- Seite 202 und 203: 200 DAGA 2012 ProgrammDas alte Roll
- Seite 204 und 205: 202 DAGA 2012 ProgrammMi. 16:55 pal
- Seite 206 und 207: 204 DAGA 2012 ProgrammIm Vortrag we
- Seite 208 und 209: 206 DAGA 2012 ProgrammMi. 9:45 auru
- Seite 210 und 211: 208 DAGA 2012 Programmmasking varie
- Seite 212 und 213: 210 DAGA 2012 ProgrammMi. 16:30 aur
- Seite 214 und 215: 212 DAGA 2012 Programmdieser Vorher
- Seite 216 und 217: 214 DAGA 2012 ProgrammMi. 9:20 hass
- Seite 218 und 219: 216 DAGA 2012 ProgrammIn dieser Arb
168 <strong>DAGA</strong> <strong>2012</strong> ProgrammMi. 9:45 chromium 2.02 Virtuelle Akustik 2Design and integration of a 3D WFS System in a cinema environmentincluding ceiling speakers - a case studyF. Melchior, S. Mauer und M. DauselIOSONO GmbHWith 3D picture being the driving force of today’s motion picture production,there is a growing need for adequate audio solutions with flexible3D loudspeaker setups. While these reproduction systems will have tofulfill high quality demands, the amount of loudspeakers should be keptas low as possible to optimize commercial aspects. Driven by the market,real 3D including loudspeakers mounted directly on the ceiling are arequirement for next generation cinema audio systems. This paper describesthe design and integration of a newly developed 3D spatial audiosolution based on wave field synthesis in a cinema environment. Thepaper discusses the acoustic design process of such a system basedon simulations and the integration based on an example installation in acommercial 400 seat cinema.Mi. 10:10 chromium 2.02 Virtuelle Akustik 2Ambisonic panning with constant energy constraintH. Pomberger und F. ZotterInstitut für Elektronische Musik und Akustik, KU GrazAmbisonics with height can be regarded as a panning technique forspherical loudspeaker arrangements surrounding the reproduction area.It applies a continuous panning function which is evaluated at each loudspeakerposition. A panning function with limited angular resolution isconveniently expressed by series of spherical harmonics of finite order.Ambisonics panning with uniformly arranged spherical loudspeakerarrays achieves good perceptual localization of virtual sound sources.However, panning performs unsatisfactorily with nonuniformly arrangedloudspeaker arrays. Virtual sources panned to directions with only sparseloudspeaker coverage appear with altered loudness levels. This contributiondiscusses a new Ambisonic panning approach which overcomesthis problem by imposing a constant energy constraint.