03.12.2012 Aufrufe

Roter Turm - Konzept - Chemnitz Tourismus

Roter Turm - Konzept - Chemnitz Tourismus

Roter Turm - Konzept - Chemnitz Tourismus

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“Kunst für <strong>Chemnitz</strong>” 1994–2008<br />

The association “Kunst für <strong>Chemnitz</strong>” was founded in the autumn of 1994. At this time, a few years after the fall of the Berlin<br />

Wall, one could feel also here in <strong>Chemnitz</strong> the atmosphere of renewal which set in after the political transformation of Eastern<br />

Germany, the former GDR. The will of many individuals to shape and create things was very tangible.<br />

Consequently, many cultural and artistic projects, ideas, and visions have their roots in this period – among others the ven-<br />

ture to establish an association for the advancement of art and artists in <strong>Chemnitz</strong>. The impetus for the foundation of this<br />

association came from three principal sources: the business community of <strong>Chemnitz</strong>, represented by Michael Windesheim and<br />

Willi Schneider, the art scene centered around the renowned Galerie Oben which was very sympathetic to the project right<br />

from the start; here we may mention Gregor-Torsten Kozik, Michael Morgner, Thomas Ranft, Klaus Süß, Steffen Volmer and<br />

Carsten Nicolai. Last but not least, the directors of theatres and museums who realized the potential which lay in the bund-<br />

ling of artistic resources and who contributed their ideas at an early stage, even before the association was founded.<br />

It’s impossible to resume in a few lines everything the association has accomplished since 1994 through voluntary activity. It<br />

may suffice to mention some impressive numbers to document its continuous commitment during the last decade: 34 exhibi-<br />

tions have been presented in <strong>Chemnitz</strong> and other cities, 31 placards have been produced for new productions of the Theater<br />

<strong>Chemnitz</strong>, two valuable maps with original prints have been edited, eight art catalogues have been published, six art tours<br />

have been undertaken and countless public events have been organized in the HECK-ART-Haus. Resuming the first decade of<br />

its existence, Michael Windesheim, one of the founding initiators of the association, writes in the preface to this documenta-<br />

tion: “The HECK-ART-Haus – a living ‘Gesamtkunstwerk’, encompassing a gallery and a re staurant with Mediterranean cuisine<br />

– is our ‘Denkfabrik Zukunft’ which has confirmed itself as a catalyst for communication and as a platform for the fertile<br />

exchange between economy and culture.”<br />

This anniversary is also an occa sion to look forward, to collect ideas for the next ten years, and to build on the jointly laid<br />

groundwork in a meaningful and adequate manner. The coming objectives are also big ones: in the year 2005 the association<br />

will be guest in England. This time with the double exposition “clara mosch & sons ltd” at the gallery of the Manchester<br />

Metropolitan University and at the German Embassy in London. It will present on the one hand a retrospective about the arti-<br />

stic group and producers’ gallery clara mosch from <strong>Chemnitz</strong>, and give on the other hand an insight into contemporary East<br />

German art studios. Next year the Kunstsammlungen <strong>Chemnitz</strong> will dedicate an important retrospective to the artist and hono-<br />

rary member of the association Carlfriedrich Claus (passed away in 1998) on the occasion of his 75th anniversary.<br />

“Kunst für <strong>Chemnitz</strong>” and its “Freundeskreis Kunst für <strong>Chemnitz</strong>” (a circle of friends of the association founded in 1998,<br />

encompassing about 30 art promoters) will not lack ideas in the future. If the broad public support and acceptance of the<br />

first de cade as well as the enthusiasm of the initiators will remain as strong as in the past, there’s no need to worry about<br />

the next ten years.

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