Musik im Raum - ZKM

4 Works
For the Linux Audio Conference (March 2007), the official opening and the Lange Nacht der
Wissenschaften (June 2007), several compositions have been created for the system, or have been
adapted to the system, by the composers Hans Tutschku, Shintaro Imai, Andre Bartetzki, Victor
Lazzarini, Christian Calon, Michael Amman, Ludger Brümmer and Kirsten Reese. Some of these
compositions are described in more detail in a paper for the ICMC 2007. 8
Acknowledgements
The software will be available from the website http://swonder.sourceforge.net. I would like to
thank Torben Hohn, Simon Schampijer, Thilo Koch, Daniel Plewe and Eddie Mond for their cooperation
on the WFS system and technical support for the composers.
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C. Moldrzyk, A. Goertz, M. Makarski, W. Ahnert, S. Feistel, and S. Weinzierl, “Wellenfeldsynthese fur einen großen
Hörsaal”, in: DAGA 2007, Stuttgart, 2007; T. Behrens, W. Ahnert, and C. Moldrzyk, “Raumakustische Konzeption
von Wiedergaberäumen für Wellenfeldsynthese am Beispiel eines Hörsaals der TU Berlin”, in: DAGA 2007, Stuttgart,
2007.
A. Goertz, M. Makarski, C. Moldrzyk, and S. Weinzierl, “Entwicklung eines achtkanaligen Lautsprechermoduls für die
Wellenfeldsynthese”, in: DAGA 2007, Stuttgart, 2007.
Marije A.J. Baalman, Torben Hohn, Simon Schampijer, and Thilo Koch, “Renewed architecture of the sWONDER
software for wave field synthesis on large scale systems”, lecture at Linux Audio Conference 2007, TU Berlin, 22–25
March 2007.
M. Wright, A. Freed, and A. Momeni, “Opensound-control: State of the art 2003”, in: 2003 International Conference
on New Interfaces for Musical Expression, McGill University, Montreal, Canada, 22–24 May 2003, Proceedings,
pp.153–160.
Richard Furse, “Linux Audio Developers Simple Plugin API (LADSPA)”, in: http://www.ladspa.org (18 September
2007)
“Virtual Studio Technology (VST)”, in: http://en.wikipedia.org/wiki/Virtual Studio Technology/ (18 September 2007),
http://ygrabit.steinberg.de (18 September 2007).
Marije A.J. Baalman, “On Wave Field Synthesis and Electro-Acoustic”, lecture at Music – State of the Art 2007, International
Computer Music Conference 2007, 26–31 August 2007, Kopenhagen, Denmark.
Marije Baalman „How to Control 840 Channels“
* * *
Marije Baalman studied Applied Physics at the Technical University in Delft and graduated in 2002
on a topic of Perceptual Acoustics. In 2001/2002 she followed the Sonology Course at the Royal
Conservatory in The Hague.
Currently she is doing her Ph.D. at the Institute for Audio Communication at the Technical University
of Berlin on Wave Field Synthesis and electro-acoustic music. She has presented papers at several
conferences, such as the ICMC, NIME, and the Linux Audio Conference. She has been active
as a sound artist and performer since 2001, and played at venues such as WORM (Rotterdam, NL),
STEIM (Amsterdam, NL), Theater Kikker (Utrecht, NL), Korzo (Den Haag, NL), Club Transmediale
(Berlin, DE), Tesla (Berlin, DE), Electrofringe (Newcastle, AU) and Disorientation (Sydney, AU).
In 2005 she founded together with Alberto de Campo the Institute for Predictive Sonobotanics, as
part of the Foundation for Auralisation and Computation of Transient Objects (IPSO-FACTO).
The results of their work has been presented in several exhibitions, including Experience Art! (Art
Centre Berlin Friedrichstrasse) and Resonances (IRCAM, Paris). Her artistic research interest is the
use of sensor technologies for live performance and installations, and the creation of interactive
systems and dynamic behavior.
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