Berlinale Programm 2015

Weitere Magazine

Empfehlungen

Info

BERLINALE TALENTS HEBBEL AM UFER SERVICE The Berlinale Talents Lounge is open to the public from Sunday 8 th to Thursday 12 th , 2 pm – 6 pm, at the HAU Hebbel am Ufer (HAU2). Tickets to Berlinale Talents events: € 10,00, reduced € 5,00 Double features: € 15,00, reduced € 7,50 Tickets are available: – from Feb 2 nd on at any Berlinale ticket counter or online at www.berlinale.de. – from Feb 8 th – Feb 12 th (10 am – 6 pm) at the box offices in the HAU Hebbel am Ufer theatres HAU1 and HAU2 on the day of the event. Berlinale Talents is an initiative of the Berlin International Film Festival, a business division of the Kulturveranstaltungen des Bundes in Berlin GmbH, funded by the Federal Government Commissioner for Culture and the Media, in cooperation with Creative Europe MEDIA, a programme of the European Union, Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon. More information and current programme available at www.berlinale-talents.de Saturday, 7.2. HAU1, 20:00 – 22:00 070931 FILM SCREENING: MAN OF THE NORTH & MAR Marcelo Martinessi, Paraguay 2009 & Dominga Sotomayor, Argentina/Chile 2014 One of several team efforts of collaborating Talent alumni screening in Forum this year, MAR is directed, produced and written by Dominga Sotomayor (Talent 2009), in collaboration with writer/ producer/actor Lisandro Rodríguez (2014), writer Manuela Martelli (2005) and editor Catalina Marín Duarte (2013). Marcelo Martinessi (2013/2014) returns to the Berlinale with his short film MAN OF THE NORTH. In cooperation with Berlinale NATIVe and Berlinale Forum. Sunday, 8.2. Monday, 9.2. HAU1, 11:00 – 12:30 080931 2015: A SPACE DISCOVERY Darren Aronofsky, Claudia Llosa. No matter how many experiences you have in the film business or how many movies you have seen in your life, there is definitely space for more. Members of the Berlinale International Jury will momentarily break from their jury duties and take the stage to kick off the multidimensional discovery trip coming up this week at Berlinale Talents, as well as discuss how they have sculpted space in their own highly acclaimed films. HAU3, 11:00 – 12:00 080951 CLOSE-UP GERMANY Frank W. Albers, Christine Berg, Veronika Grob, Mariette Rissenbeek. Interested in making films with German partners German film funding organisations present their respective initiatives and objectives in supporting and promoting German cinema. Find out what would qualify your project to apply for funding through these organisations. In cooperation with Medienboard Berlin-Brandenburg, Robert Bosch Stiftung, FFA and German Films. HAU2, 13:00 – 14:30 080941 IMAGINARY WORLDS: EXPLORING THE UNKNOWN Alex McDowell, Bruno Setola, Jeff Watson. These are the world’s promising untold stories waiting to be narrated. “World Building” designates an iterative and collaborative narrative practice in which the design of a world precedes the telling of a story. This panel will discuss ways to build experiences and worlds in which stories unfold in new mind-blowing ways, redefining the limits of design and narrative, moving into a landscape where art and science, design and engineering are inseparable. In cooperation with the USC / 5D Institute, Los Angeles. HAU1, 14:00 – 15:30 080932 ROAD, MOVIE: FILMS IN MOTION Walter Salles, Sebastian Schipper. “You simply cannot anticipate what you will find on the road,” says Walter Salles in his “Notes for a Theory of the Road Movie.” This panel brings together two filmmakers whose literally “moving” films can exemplify the best of what cinema can offer. Salles (ON THE ROAD), widely known for sending his characters off to discover their inner selves on long and winding trips, meets up with German director Sebastian Schipper. Schipper’s film VICTORIA is an exceptional entry this year in the official Berlinale Competition, masterfully choreographed in only one two-hour long shot. HAU3, 14:00 – 15:30 080952 CROSSROADS TO CULTURE: CINEMA(S) IN THE ARAB WORLD Hania Mroué, Irit Neidhardt, Youssef El Shazli. The past decade has witnessed a boom in filmmaking in the Arab world, which has in turn seen a marked return to the local art house cinema as a space of viewership, meeting and cultural exchange for local audiences. Noted distributors and exhibitors committed to bringing Arab films to local and international audiences will explore the current opportunities in and challenges to exhibition and distribution of Arab films. In coopera - tion with Talents Beirut and Robert Bosch Stiftung. HAU2, 15:30 – 18:30 080942 KILL YOUR DARLINGS Susan Korda. “Good editing is like good sex,” exclaims noted editor and director Susan Korda (FOR ALL MANKIND), and in this master class she will prove just how. Through selected clips from BONNIE & CLYDE and JAWS, Korda demonstrates the multifaceted techniques used to merge sound, image, and timing to bring about the intended cinematic experience. She'll lay bare the secrets of the editing room and the editor’s tricks to make a film work despite flaws that may have occurred during production. HAU1, 17:00 – 18:00 080933 FILM PRIZE OF THE ROBERT BOSCH STIFTUNG: AWARD CEREMONY Filmmaking in the Arab World is alive and kicking, stoked by these times of political and social upheaval. The Film Prize of the Robert Bosch Stiftung aims to support German-Arab film co-productions that have been developed in the past months. The twelve nominated projects from various Arab countries will be introduced, and excerpts from the projects will be screened, followed by the announcement of the winners of the 2015 Film Prize of the Robert Bosch Stiftung. Three prizes of up to 70,000 Euro are awarded in each of the following categories: documentary, short fiction and animation. Hosted by Robert Bosch Stiftung. HAU1, 11:00 – 13:00 090933 FILM SCREENING: HOW TO WIN AT CHECKERS (EVERY TIME) Josh Kim, Indonesia/USA/Thailand 2015. Director Josh Kim rallied the efforts of multiple former Talents including producers Edward Gunawan (2013), Maenum Chagasik (2013) and Anocha Suwichakornpong (2006), as well as editor Kamantorn Eakwattanakij (2011), post producer Lee Chatametikool (2006), location manager Wichanon Somumjarn (2010) and production designer Rasiguet Sookkarn (2014). Go Team Talents! In cooperation with Berlinale Panorama. HAU3, 11:00 – 13:00 090951 THE SURVIVAL GUIDE TO DIGITAL WORKFLOWS Dirk Meier, Stefan Ciupek. Stefan Ciupek, DoP and previously digital camera supervisor on projects like SLUMDOG MILLIONAIRE and ANTICHRIST, and colourist Dirk Meier (LIFE) meet to talk about Stefan’s latest project, THE DARK SIDE OF THE MOON. Ciupek and Meier will focus on the changing role of digital image technicians and new responsibilities both in preproduction and on set. In cooperation with Canon, tectum – film equipment rental and DFFB. HAU1, 14:30 – 15:45 090931 DRAMA SERIES: LAND OF ENDLESS OPPORTUNITIES Matthew Weiner. Legendary drama series writer, director and producer Matthew Weiner (MAD MEN) has brought us stories that are as catchy as good ad campaigns and characters as deep as the bottom of Don Draper’s glass of whisky. This year a member of the International Jury, Weiner will share his rich experiences with shaping stories in the long run of a series and as a feature film director. In cooperation with European Film Market and Berlinale Co-Production Market. HAU2, 14:00 – 15:30 090941 HYBRID NEWS: DOCUMENTING TRUE EVENTS Shaibu Husseini. As documentaries become increasingly popular, we are witnessing the emergence of hybrid formats that not only borrow from fiction but also journalism. Noted Nigerian film critic and journalist Shaibu Husseini (Talents 2008) and filmmakers from the festival programme consider their approaches to creating stories both for the news and documentary work. Questions of access to knowledge, freedom of speech and press and the tricky issue of truth will be tackled from different perspectives. HAU3, 14:00 – 15:30 090952 CROSS MEDIA I: CREATING IDENTITY FOR YOUR PROJECT Sean Coleman, Liz Rosenthal. Liz Rosenthal, CEO and founder of Power to the Pixel, and writer and producer Sean Coleman (NETWARS) will explore how cross media approaches and new forms of interactive media can be used more efficiently to incubate stories and projects for today’s connected audiences. In cooperation with Medienboard Berlin-Brandenburg. followed by NETWORK BREAKOUT During this relaxed get-together you can speak directly to representatives of the world's largest global crowdfunding platform, Indiegogo, about crowdfunding your project. Hosted by Indiegogo. HAU1, 17:00 – 18:30 090932 MEASURING SPACE: THE CINEMATOGRAPHY OF PETER ZEITLINGER Peter Zeitlinger. Zeitlinger stands for a cinematography without any compromises, and his sharp and at the same time poetic approach to visual storytelling has yielded the dazzling and diverse looks e.g. for Werner Herzog’s 3D CAVE OF FORGOTTEN DREAMS, INTO THE ABYSS and most recently QUEEN OF THE DESERT, screening in competition this year for the Golden Bear. In cooperation with Canon. HAU2, 17:00 – 18:30 090942 BASIC TRUST: GROWING RELATIONSHIPS WITH ACTORS Ursula Meier. Director Ursula Meier is known for the ability to create story worlds truly eye-to-eye with protagonists and actors of all ages. Presenting clips from KACEY MOTTET KLEIN, BIRTH OF AN ACTOR, which screens at this year’s Berlinale Generation, as well as excerpts from HOME and SISTER, Meier will grant insight into her intimate work on set with young actors. In cooperation with Berlinale Generation. HAU3, 17:00 – 18:30 090954 CROSS MEDIA II: HOW TO ENGAGE YOUR AUDIENCE Raphaëlle Huysmans, Timo Vuorensola. The internet and interactivity have transformed audience culture, behaviour and storytelling. Leaders in cross media and interactive approaches will showcase the Canadian documentary game FORT MCMONEY and the latest spin-off from cinema cult hit IRON SKY, both designed specifically to use new platforms and formats to tell their stories. In cooperation with Medienboard Berlin-Brandenburg. 40 + + + + Online-Tickets unter www.berlinale.de + + + + Ticketinfos unter: radioeins Ticket-Info-Hotline 01802-709911 (6 ct./Anruf, Mobilfunkpreis max. 42 ct./Min.) + + + +
Tuesday, 10.2. Wednesday, 11.2. Thursday, 12.2. HAU1, 11:00 – 13:00 100933 FILM SCREENING: THE GULLS Ella Manzheeva, Russia 2015. Berlinale Talents alumna Ella Manzheeva (2013) returns to the festival with her film THE GULLS, which celebrates its world premiere in Berlinale Forum. In cooperation with Berlinale Forum. HAU3, 11:00 – 12:30 100951 SMOKING HOT: THE WIDE WORLD OF WEB SERIES Ben Sinclair, Katja Blichfeld. Not created for the big screen, and tailored to different kinds of viewership, web series defy the limitations of more traditional formats. Casting director, producer, director and writer Katja Blichfeld and actor and producer Ben Sinclair will show episodes from their cult web series HIGH MAINTENANCE and discuss how the web series format is conducive for testing new ideas as well as production and distribution models rather free from the structures of classic filmmaking. HAU1, 14:00 – 15:30 100931 THE MEMORY OF VIOLENCE Marcel Ophüls, Joshua Oppenheimer. How is it possible to look back into history, expose inconvenient truth and revive the personal memories of those who have been part of it Lauded director Joshua Oppenheimer (THE LOOK OF SILENCE) joins documentary film virtuoso Marcel Ophüls (THE MEMORY OF JUSTICE) for an in-depth discussion on the expressions of remembrance, performance and memory in their films. They will address the search for truth in the aftermath of history’s darkest episodes, as well as how they create and preserve cinematic spaces in their films that ensure dignity and respect for the protagonists and their often traumatic experiences. In cooperation with the Federal Foreign Office. HAU2, 14:00 – 15:30 100941 SHORT CUTS Sabine Brantus, Laurent Crouzeix, Jukka-Pekka Laakso, Jan Naszewski. Help, I've done a great short film! Producers, festival programmers and distributors, all passionately dedicated to the short form, talk about the different ways to present your short film. This panel will consider the reasons for and advantages of making a short, how to create a unique buzz and find the right presentation context and how to make the most out of your film through distribution, sales, festivals, etc. In cooperation with European Film Academy and Berlinale Shorts. HAU3, 14:30 – 17:00 100952 HIGH SEASON: SERIAL STORYTELLING AND PRODUCING Roberto Amoroso, Edward Berger, Antony Root, Anna Winger, Jörg Winger. Accomplished television and film producer Paul Trijbits (FISH TANK) will dive into familiar depths and unveil the methods and workflows of serial storytelling and producing. Trijbits will welcome the masterminds behind German series DEUTSCHLAND 83: producing and scriptwriting team Jörg and Anna Winger and show-runner and film director Edward Berger (JACK). After a short intermission Trijbits welcomes Antony Root, HBO Europe (UMBRE), and Roberto Amoroso, Sky Italia (1992) and teacher at “Serial Eyes,” a Berlin-based post-grad course on TV writing and producing. In conversation together and with the audience, the experts will talk about developing and launching drama series, as well as how to create identity and build communities for your projects. In cooperation with European Film Market and Berlinale Co-Production Market. HAU1, 17:00 – 18:30 100932 SCORING GOALS Howard Shore. Star composer Howard Shore has achieved worldwide renown for his work on such films as HUGO and THE AVIATOR, THE LORD OF THE RINGS, SE7EN and THE SILENCE OF THE LAMBS. He has scored 15 films by David Cronenberg, including MAPS TO THE STARS. Recipient of three Academy Awards and multiple Golden Globes and Grammies, Shore will elaborate on how sound and score shape the visual onscreen cinematic world and the spaces in which stories unfold. He'll also shed light on the working relationship between director and composer, as well as how sound and music can create a “meta space” between the works of a trilogy or a director’s oeuvre. In cooperation with Dolby®Laboratories. HAU2, 17:00 – 18:30 100942 ROOM FOR EMOTIONS: EMBODYING ARCHITECTURE IN FILM Joanna Hogg, Matthias Sauerbruch. In the films of Joanna Hogg, relationships and family structures play out in and are heavily influenced by architectural spaces and landscapes. Showing excerpts from Hogg’s latest drama, EXHIBITION, Berlin-based architect Matthias Sauerbruch and Hogg take the stage to explore the dialogue between film and architecture and how living spaces can emerge as personified forces in a film. HAU1, 11:00 – 13:00 110934 FILM SCREENING: THE GREATEST HOUSE IN THE WORLD Ana V. Bojórquez, Lucía Carreras, Guatemala/Mexico 2015. Ana V. Bojórquez, a Berlinale Talents alumna from 2012, returns to the Berlinale with the world premiere of her co-direction THE GREATEST HOUSE IN THE WORLD. In cooperation with Berlinale Generation. HAU3, 11:00 – 12:30 110951 EVERYTHING IS ALRIGHT Katharina Domnick, Dr. Leo Schapiro. Everyone involved in the filmmaking process, from directors and producers to distributors and sales agents, should know the laws behind the ownership of the films they work on. Get clear explanations and advice from industry law experts. They will address the rights clearances that are necessary at different steps of the creative process. Also to be discussed is how to keep in mind international perspectives and the changes in laws across borders and media formats. In cooperation with Erich Pommer Institut. HAU1, 14:00 – 15:30 110932 SPACE INVADERS Andy Bichlbaum, Mike Bonanno, Laura Nix. Having already tried to save the world, The Yes Men are back, and this time, they are revolting! Armed with anger, humor, a camera and performance, The Yes Men have lifted guerilla filmmaking to new heights with their activistic and often slapstick interventions. The Yes Men unite onstage with director and producer Laura Nix to discuss how they made their new film, THE YES MEN ARE REVOLTING. They will lay bare their guerilla tactics and explain how to hack into both public and private spaces and get footage working with minimal tech and crew. Further they will highlight the kinds of preparation and legal clearances that are required when shooting under the radar with unsuspecting subjects and in uncontrolled settings. This time taking on climate change and the policies and corporations that exacerbate the crisis, the filmmakers will discuss the responsibilities and aims of political and activist filmmaking. In cooperation with Berlinale Panorama. HAU2, 14:00 – 15:30 110941 STORY WORLDS Jean-Pierre Bekolo, Sebastián Lingiardi, Madhushree Dutta. How can handed-down knowledge about storytelling be adopted to develop exceptional narrative film worlds This truly intercontinental panel will immerse into cultural spaces in Africa, Latin America and India to discover the stories that are rooted there. Filmmakers and screenwriters will discuss how their cinematic work has been inspired by the narrative structures from their own or other people’s cultural spaces and backgrounds. In cooperation with the Federal Foreign Office and Berlinale NATIVe. HAU3, 14:00 – 17:00 110952 PRODUCERS SHARING THEIR SECRETS Executive director of the Israel Film Fund and longtime film producer Katriel Schory will moderate international producers on the current challenges in film producing, highlighting new business models and practices that are making waves today. Along the long road “from idea to the poster,” where can producers diverge and impact their projects for the better With regard to an ever-changing industry landscape, how do the responsibilities of producer and distributor increasingly overlap Schory and experts will elaborate on how you can identify the ideal co-production partners and build an inter national identity for your project. In cooperation with Creative Europe MEDIA. HAU1, 17:00 – 18:30 110931 WINGS OF TIME: A CONVERSATION WITH WIM WENDERS Wim Wenders. Subject of Berlinale Homage and recipient of an honorary Golden Bear for lifetime achievement, legendary German auteur Wim Wenders will take the stage to discuss his work. A lauded figure in the New German Cinema generation of the 1970s, Wenders went on to rack up top festival prizes for seminal films like PARIS, TEXAS, WINGS OF DESIRE and THE STATE OF THINGS. His recent works PINA, THE SALT OF THE EARTH and in this year’s Competition EVERY THING WILL BE FINE cement his reputation as one of the most influential auteur filmmakers working today. Wenders will elaborate on his career, his experiences working across various genres and international settings and what it means to stay on the vanguard of filmmaking. In cooperation with Deutsche Kinemathek – Museum für Film und Fernsehen. HAU2, 17:00 – 18:30 110942 ENDLESS SPACE: BODY MOVEMENT BEYOND LIMITS Mikey Brett, Francesca Jaynes, Jean-Louis Rodrigue. Sandra Bullock’s graceful floating and swimming through space in Alfonso Cuarón’s GRAVITY remains one of the most memorable images from last year’s cinema experience. In conversation with acting coach Jean-Louis Rodrigue, movement coach Francesca Jaynes and puppeteer Mikey Brett, both of whom worked with Bullock to simulate the character’s unfolding ordeal in weightlessness in zero gravity, will offer their perspectives on the movement of actors in cinematic space. CINESTAR 7, 10:00 – 11:15 120276 THE DOLBY ATMOS MASTER CLASS Matt Desborough, Martin Frühmorgen, Lars Ginzel, Holger Lehmann, Christian Lerch, Martin Steyer. This public master class will offer theoretical and technical insights into the practical applications of Dolby® Atmos technology. The Dolby® Atmos Policy Trailer, composed as part of the Sound Studio 2014 will be presented for the first time. Also the three selected sound scapes from this year’s Sound Studio will be presented and the winner will be announced. A case study on the Berlinale trailer in 7.1/Dolby® Atmos made by Rotor Film Babelsberg and extracts from Dolby®Atmos films are some of the highlights of the programme. In cooperation with Dolby®Laboratories, Film University Babelsberg KONRAD WOLF and The Post Republic. HAU1, 11:00 – 13:00 120931 SCREENING SHORTS #YA, Ygor Gama, Florencia Rovlich, 15H / BLOOD BELOW THE SKIN, Jennifer Reeder, 30H / PIKNIK, Jure Pavlovic, 13H / UN CREUX DANS MON COEUR, Mees Peijnenburg, 10H / SUPERIOR, Erin Vassilopoulos, 16H. This curated programme features a selection of short films that are screening in the sections Berlinale Shorts and Generation. Included are the Berlinale Talents alumnus Jure Pavlovic’s (2014) PIKNIK and 2015 Talent Jennifer Reeder’s BLOOD BELOW THE SKIN. Both are happy to come and talk about their films. In cooperation with Berlinale Shorts and Berlinale Generation. HAU3, 11:00 – 11:45 120951 DISCLOSING THE WORLD CINEMA FUND Isona Admetlla, Vincenzo Bugno. Innovative forms, fresh perspectives and local stories from across the globe are supported by the World Cinema Fund. Independent productions from regions with little access to funding, such as Latin America, Africa, the Middle East, Central and Southeast Asia and the Caucasus, are its focus. Project manager Vincenzo Bugno discusses the aims of the initiative and the breadth of works and regions considered and explains how filmmakers can apply with their projects. In cooperation with World Cinema Fund. HAU3, 12:00 – 12:45 120952 ENTERING THE CO-PRODUCTION MARKET Kathi Bildhauer, Martina Bleis. The Berlinale Co-Production Market is one of the major international networking and financing platforms for film projects with an international scope. Find out how Berlinale Talents alumni can participate by applying for the Co-Production Market including the Talent Project Market in the coming years. In cooperation with Berlinale Co-Production Market. HAU1, 14:00 – 15:30 120932 BRIDGING THE GAP: FILMS IN BETWEEN SPACES Bong Joon-Ho, Lorna Tee. Film is truly a universal language and medium, but that is not to say that there are not daunting obstacles to overcome when bringing films from their local birthplaces to international audiences. Bong Joon-Ho, South Korean director of THE HOST and celebrated lately for his first English language film SNOWPIERCER, and renowned Asian producer Lorna Tee (POSTCARDS FROM THE ZOO) bring their rich experiences in making films that are successful for both local and international markets to this discussion. HAU1, 17:00 – 18:30 120933 OF WALLS AND WONDERS Andreas Dresen, Wolfgang Kohlhaase, Clemens Meyer. The collapse of the Berlin Wall and the GDR was followed by a brief moment in Eastern Germany where space seemed unlimited and free dom was an ideal to be tested and lived to the fullest. The feelings experienced form the background for AS WE WERE DREAMING, the Berlinale Competition entry directed by Andreas Dresen and adapted for the screen by Wolfgang Kohlhaase from the bestselling novel by Clemens Meyer. Representing three generations that personally experienced this electric time in the East, they will describe their process of adapting from memory to novel to screen a very loaded historical moment that lingers in the space of imagination of many Germans. In cooperation with Medienboard Berlin-Brandenburg. HAU3, 17:00 – 18:00 120953 JOINT FORCES: LAURA POITRAS ON HER FILMS Laura Poitras. With her recently released portrait of Edward Snowden, Laura Poitras has rounded up her trilogy of documentaries depicting the plight of people who have been impacted by the policies of the US govern - ment’s War on Terror. Laura Poitras (CITIZENFOUR) joins Talents from New York for an interactive webcam session to discuss her role as a documentarian over the years and her relationships to her films and protagonists as they ignite wildfire buzz amongst audiences worldwide. + + + + Online-Tickets unter www.berlinale.de + + + + Ticketinfos unter: radioeins Ticket-Info-Hotline 01802-709911 (6 ct./Anruf, Mobilfunkpreis max. 42 ct./Min.) + + + + 41
Seite 3: © Marc Ohrem Leclef Dieter Kosslic
Seite 7 und 8: Dienstag, 10.2. Mittwoch, 11.2. Don
Seite 39: FORUM EXPANDED EXHIBITIONS AKADEMIE
Seite 43 und 44: 28 29 31 30 32 © Runze & Casper 1
Seite 45 und 46: WORTVERANSTALTUNGEN PERSPEKTIVE DEU
Seite 47 und 48: KINOADRESSEN AKADEMIE DER KÜNSTE H
Seite 49 und 50: Index 1 13 MInUTeS * ELSER 14+ Gen
Seite 51 und 52: FLOTeL eUROPA FOruM CinemaxX 4 6.2.
Seite 53 und 54: OLd MAn And THe BIRd, THe GenerATIO
Seite 55: + + + + Online-Tickets unter www.be

Berlinale Programm 2015

Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.

Template löschen?

Als Template speichern?