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Bouabré (Ivory Coast), Carolina Caycedo (Puerto Rico), Raphaël<br />
Cuomo & Maria Iorio (Switzerland/ Italy), Nina Fischer & Maroan<br />
el Sani (Germany), Stephan Huber (Germany), Xavier Krilyk<br />
(Germany/France), Marcos Lora Read (Dominican Republic),<br />
Silke Markefka (Germany), Tiago Mestre (Portugal), Ghassan<br />
Salhab (Lebanon), Zineb Sedira (France/ UK), Allan Sekula (United<br />
States), Nikolai Vogel (Germany), Hamid Zenati (Algeria/ Germany) |<br />
Architecture: Tiago Mestre (Portugal) | Texts: Iain Chambers (UK),<br />
Florian Grosser (Germany) | Curator: Anna Schneider<br />
Many thanks to BBK / Galerie der Künstler, Galerie Tanit,<br />
Hannes Taubenschuss, Lothringerstrasse 13, Maximiliansforum and<br />
Simone Schirmer.<br />
Platform3 2010<br />
Marlene Rigler<br />
Numbers and Realities 2: An innovative, cultural<br />
and artistic model, Platform3 will enrich Munich’s<br />
cultural landscape for at least two more years.<br />
Two city institutions came together to allow the<br />
creation of such a project: Munich’s Department<br />
of Labour and Economic Development, and the<br />
Department of Arts and Culture.<br />
3: Platform3 is situated on the third floor of an<br />
ex-industrial complex in the South of Munich<br />
and combines three space-usage concepts:<br />
exhibition, offices, studios. The aim is to support<br />
three professions: Cultural managers,<br />
facility managers, and artists.<br />
4+1: In total, four trainees work for a duration<br />
of one year on projects that are conceived, realised<br />
and exhibited at Platform3. This team is<br />
enriched by the presence of a grant-supported<br />
trainee from the Robert Bosch Foundation.<br />
: This flexible initial position allows a young<br />
cultural institution almost endless development<br />
possibilities: Network-based, trans-disciplinary<br />
working practice that caters for innovative,<br />
socially and culturally relevant event models.<br />
It’s a paradigm shift that doesn’t just reassess<br />
the presentation and mediation of works, but<br />
also examines the production context in a new<br />
light: the studio, a physical and mental space<br />
for artistic creation. The easily-experienced<br />
artistic production taking place at the location<br />
allows a perfect breeding ground for debate.<br />
The same principle of “experienced pratice“ is<br />
also carried over to the day-to-day project<br />
work and so reflects the complex profession<br />
of culture and event management and its increased<br />
internationalisation; Platform3 is as<br />
plugged in to the European and international<br />
art and culture context as it is in Munich. A<br />
dialogue is thus set up with and about the art<br />
world, something that makes a trip to Munich’s<br />
South well worth it!<br />
Utopias and Thought Models. Platform3 ponders<br />
Platform3: A necessary, self-reflective gesture<br />
that illuminates the profile and appearance of
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