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Netzwerkmagazin 12|08<br />

Child Inclusive Exhibition Design<br />

Texte publik gemacht<br />

Supplementing the Needs of Children in Conventional Exhibitions<br />

Katarzyna Warpas, Hildesheim<br />

How to let museums better perform their role as a “motor for the learning society” is a<br />

leading question throughout this issue of the Netzwerk<br />

werkmagazin<br />

magazin. . In the following summary<br />

of her Master Thesis, submitted at the University of Applied Arts and Science in Hilde-<br />

sheim, Katarzyna Warpas outlines her design concept for an exhibition at the Römer<br />

R<br />

mer- und<br />

Pelizaeus Museum Hildesheim. It aims at conveying the culture of ancient Peru to the<br />

younger museum visitors who become users through well-directed<br />

interaction.<br />

tion.<br />

Museums are often seen as irrelevant,<br />

rigid, boring and stuffy, especially by the<br />

youngest generation. Often they are<br />

indeed like that. However, these features<br />

are not included in the definition of<br />

museum and are rather part of attitude<br />

which has developed during last fifty<br />

years. Now more than ever, in a fast<br />

developing, globalised modern society,<br />

museums are under pressure to motivate<br />

young visitors to examine their past<br />

in order to understand current issues<br />

better and to shape the future with<br />

greater awareness. Although children<br />

constitute a major part of the museum<br />

audience, their needs, perspectives and<br />

museum experiences are still largely<br />

ignored. The main aim of my master<br />

thesis was to examine the importance of<br />

including children’s needs into the<br />

planning of conventional exhibitions.<br />

This work should also form a basis for<br />

future design research in this field.<br />

An example of an information board to an exhibit<br />

49<br />

<strong>Alfred</strong> <strong>Toepfer</strong> <strong>Stiftung</strong> F.V.S.<br />

www.toepfer-fvs.de

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