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83. Auktion - Auktionen Dr. Crott

83. Auktion - Auktionen Dr. Crott

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side of the plaque show the portrait of a bearded man in monochrome<br />

enamelling. Interior lid with central oval miniature portrait of Prince<br />

Frederick of the Netherlands and Prince of Orange-Nassau in uniform,<br />

dedication: “Souvenir de S.A.R.le Prince Frédéric des Pays-Bas, 25 Octobre<br />

1850. Granitza” (“Commemorating His Royal Highness Prince Frederick of<br />

the Netherlands, 25. October 1850. Granitza”).<br />

Prince Frederick (or Prince William Frederick Charles) of the<br />

Netherlands, Prince of Orange-Nassau (1797-1881)<br />

Prince Frederick was the second son of King William I and his wife<br />

Princess Wilhelmine Louise of Prussia; the prince he was mainly educated<br />

at the Prussian court. Frederick fought in the campaign of 1813 and later<br />

joined the Dutch army and fought in the Battle of Waterloo. A house<br />

treaty of April 4, 1815 stipulated that Frederick should receive the Orange-<br />

Nassau family possessions upon his elder brother William’s accession to<br />

the throne of the Netherlands; however, as the estates were no longer<br />

in the possession of the family, he would receive the Grand Duchy of<br />

Luxembourg instead. Frederick decided to relinquish his claim in 1816 for<br />

domains which produced an annual income of 190,000 guilders and<br />

additionally received the title of “Prince of the Netherlands”.<br />

Shortly afterwards Frederick was appointed commissary-general of the<br />

department of war, colonel general and field marshal of the army, admiral<br />

of the kingdom and artillery grand master in 1829; he was extremely<br />

active in all of these positions.<br />

In 1830 Frederick led a corps to conquer Brussels but was forced into<br />

retreat. The prince did excellent work in the reorganisation of the army<br />

and the administration of the war efforts; however, after his father’s<br />

abdication he withdrew from all public activities.<br />

In 1816 Frederick was accepted into the Grand Lodge of Freemasonry<br />

“Zu den drei Weltkugeln” (lodge of the three globes) in Berlin and was a<br />

Grand Master of the Grand Orient of the Netherlands for 60 years. He was<br />

also protector of the small Austrian lodge Munificentia in Carlsbad at a<br />

time when freemasonry was prohibited in Austria. Frederick donated the<br />

306<br />

German Bibliotheca Klossiana and the building of the Grand Lodge in The<br />

Hague to the Grand Orient.<br />

Prince Frederick lived in the Netherlands and on the estates he had<br />

purchased at Muskau (formerly Granitza, Upper Lusatia), where he was<br />

the last lord of the estate who took an active interest in the still existing<br />

“Park of Muskau” Prince Hermann of Pückler-Muskau had created there.<br />

Source: http://de.wikipedia.org/wiki/Wilhelm_Friedrich_Karl_von_Oranien-<br />

Nassau, as of 03/16/2011<br />

Romanticism in the early 19th century<br />

In the early 19th century people were fascinated by cultural differences<br />

and the notion that a long history and development had achieved the<br />

contemporary level of civilisation in Europe. Foreignness and cultural<br />

differences became objects of investigation. The romanticists of the early<br />

19the century developed great interest and passion for the so-called<br />

“native cultures” which suddenly seemed superior in ways to the highly<br />

developed Western nations.<br />

During the 18th and 19th centuries the Ottoman Empire’s policies of<br />

expansion had come to a standstill and the Islamic world was in turn fast<br />

becoming a target for the expansion ambitions of the European nations.<br />

At the same time a strangely romanticised view of the Orient began<br />

spreading through the Western world.<br />

Napoleon’s Egyptian campaign (1798-99) brought a surge of interest in<br />

the Pharaonic Period about that found its reflection in the applied arts of<br />

the time; the Greek War of Independence, the Crimean War (1854-1855)<br />

and the opening of the Suez Channel turned foreign attention to the<br />

Middle East. European painters in the late 19th and early 20th centuries<br />

such as Eugène Delacroix, Jean-Léon Gérôme and Alexandre Roubtzoff<br />

worshipped the Orient’s sensuous beauty and tried to capture its mythic<br />

essence in their works.<br />

Romantic art comes in many different variations; it is, however, always<br />

imbued with sensitivity and melancholy, embracing the past and<br />

cherishing nature.<br />

Sources: http://de.wikipedia.org/wiki/Orientalismus_%28Kunst%29 and<br />

http://de.wikipedia.org/wiki/19._Jahrhundert, as of 03/30/2011<br />

32412 G/C: 2, 4<br />

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