04.06.2012 Aufrufe

KUB 07.03 Peter Zumthor Bauten und Projekte 1986 – 2007

KUB 07.03 Peter Zumthor Bauten und Projekte 1986 – 2007

KUB 07.03 Peter Zumthor Bauten und Projekte 1986 – 2007

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<strong>Peter</strong> <strong>Zumthor</strong><br />

Atelier- <strong>und</strong> Wohnhaus <strong>Zumthor</strong>,<br />

Haldenstein, <strong>2007</strong><br />

Foto © Benedikt Redmann<br />

Summary<br />

<strong>Peter</strong> <strong>Zumthor</strong> Buildings and Projects <strong>1986</strong> <strong>–</strong> <strong>2007</strong><br />

The presentation at the <strong>KUB</strong> covers <strong>Peter</strong> <strong>Zumthor</strong>’s buildings and<br />

projects from <strong>1986</strong> to <strong>2007</strong> and comprises materials on the design<br />

process, working drawings, models, and detailed plans, as well as<br />

a film installation by the artists Nicole Six and Paul Petritsch, which<br />

features almost all buildings completed during this period. <strong>Peter</strong><br />

<strong>Zumthor</strong> and Thomas Durisch, a longtime co-worker at Atelier<br />

<strong>Zumthor</strong> and curator for this part of the exhibition, are responsible<br />

for the selection and presentation of the works on the gro<strong>und</strong> floor<br />

and third level.<br />

The filmic form of cooperation between artists as the core<br />

concept of the exhibition was <strong>Peter</strong> <strong>Zumthor</strong>’s express wish. Six and<br />

Petritsch were proposed because their approach is closely related<br />

to f<strong>und</strong>amental issues of architecture. The works they are known for<br />

consist of simple actions and interventions which they document on<br />

film or video and stage as installations. They already realized a film<br />

installation for the exhibition “Tu Felix Austria” at the <strong>KUB</strong> in 2005.<br />

Shooting lasted six days, during which time Paul Petritsch stayed on<br />

the bare third floor of the Kunsthaus, filmed at eye level and in real<br />

time by six stationary video cameras facing in various directions.<br />

Six and Petritsch applied this stringent artistic concept in the<br />

documentation and projection of all of <strong>Zumthor</strong>’s buildings. Again,<br />

six stationary cameras were used and the same distances maintained<br />

throughout. Again, there are six projection surfaces. Six and<br />

Petritsch do away with the usual camera movements, editing, and<br />

montages. Each building seems to present itself matter-of-factly<br />

on six projection surfaces for 40 real-time minutes in the changing<br />

daylight, surro<strong>und</strong>ed by ever yday so<strong>und</strong>s and imbedded in the<br />

landscape. What the viewer sees is tied to his movement within the<br />

room. The screenings are staggered, so that every 20 minutes a new<br />

film begins on one of the floors; thus, the viewer can experience all<br />

the buildings in four real-time hours. Eckhard Schneider<br />

List of the buildings shown in the film installation<br />

(see timetable on p. 11):<br />

1 Protective structures for an excavation with Roman artifacts,<br />

Chur, Grisons (<strong>1986</strong>)<br />

2 Atelier <strong>Zumthor</strong>, Haldenstein, Grisons (<strong>1986</strong>)<br />

3 Sogn Benedetg chapel, Sumvitg, Grisons (1988)<br />

4 Residential home for the elderly, Chur, Masans, Grisons (1993)<br />

5 House Truog, Gugalun, Versam, Grisons (1994)<br />

6 Spittelhof housing development, Biel-Benken, Baselland (1996)<br />

7 Therme Vals, Grisons (1996)<br />

8 Kunsthaus Bregenz (1997)<br />

9 House Luzi, Jenaz, Grisons (2002)<br />

10 House <strong>Zumthor</strong>, Haldenstein, Grisons (2005)<br />

11 Bruder Klaus chapel, Wachendorf, Eifel (<strong>2007</strong>)<br />

12 Kolumba, Art Museum of the Archdiocese Cologne (<strong>2007</strong>)<br />

14 15 <strong>KUB</strong>-Programm <strong>07.03</strong> <strong>Peter</strong> <strong>Zumthor</strong>

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