Buchhandlung Walther König

Buchhandlung Walther König Buchhandlung Walther König

01.10.2012 Aufrufe

career, this stunning book examines McQueen’s inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. 1458020 34,80 NOT A TOY. Fashioning Radical Characters. Ed. by Vassilis Zadianakis. Berlin 2011. 352 S. mit mehr als 300 farb. ganzseit. Abb., Kurzbiographien, Ppbd. This is the first book on the growing influence of Character design in fashion and art. Characters are reduced and abstract figures with a strong anthropomorphic appeal and bold graphical silhouette. Over the last decade, they have playfully sampled and remixed their way through visual codes and media, confronting the viewer head-on, regardless of cultural background. Now, this aesthetic strategy has a strong influence on contemporary fashion design. International artists create playful dresses, avant-garde costumes and hairstyles, re inventing the human body and sending their radical, new Characters onto the catwalk and beyond. 1461474 49,50 82 RUBLACK, ULINKA. Dressing Up. Cultural Identity in Renaissance Europe. Oxford 2011. 376 S. mit 156 Abb., brosch. A path-breaking study that imagines the Renaissance afresh by considering people’s appearances: what they wore, what image they wished to create, and how this made them feel. The book draws on an astonishingly wide range of sources to allow us to view the Renaissance from a completely new perspective and is brilliantly illustrated, with over 150 colour illustrations. 1456242 45,– SCARVES. By Nicky Albrechtsen & Fola Solanke. London 2011. 4to. 304 S. mit 257 (254 farb. ganzseit.) Abb., Adressenverz., Bibliographie,Glossar, Index, Kurzbiographien, Ln. Indispensable accessories and sought-after collectors’ items, scarves were an important innovation in 20th-century fashion. From Art Deco through 1950s Hollywood, the Swinging Sixties and beyond, scarves have been represented in every major decorative arts movement over the past century and into the present one. This marvellously illustrated compendium showcases the work of a wide range of international designers: Paul Poiret, Elsa Schiaparelli, Balenciaga, Mary Quant, Gucci, Christian Lacroix, Yves Saint Laurent, Zandra Rhodes, Nicole Miller, and many more. Here are more than 250 scarves, beautifully reproduced in colour and all specially photographed, and many never before seen in print. 1457970 44,–

Monographien vor 1800 ABERLI, JOHANN LUDWIG – Pfeifer-Helke, Tobias. Natur und Abbild. Johann Ludwig Aberli (1723–1786) und die Schweizer Landschaftsvedute. Basel 2011. 255 S. & 40 meist farb. Tafeln, Bibliographie, Index, Ppbd. Johann Ludwig Aberli war einer der erfolgreichsten Landschaftsmaler. Mit ihm begann die bildliche Erschließung der Schweiz im 18. Jahrhundert. 1456721 54,50 BERNINI, GIAN LORENZO – Bernini, Domenico. The Life of Gian Lorenzo Bernini. A Trans - lation and Critical Edition, with Introduction and Commentary, by Franco Mormando. University Park 2011. XVI, 482 S., Bibliographie, Index, Ln. Gian Lorenzo Bernini (1598– 1680), sculptor, architect, painter, and playwright, was the most influential artist of seventeenth-century Rome and, indeed, one of the leading creative forces in European art for most of that century. Domenico Bernini (1657–1723) was the artist’s youngest child. Domenico’s full-length biography of his famous father represents one of the most important and most intimate primary sources for the artist’s life and work. In this edition, Franco Mormando presents the first critical translation in any language of the complete Italian text, together with annotated translations of two other significant but brief biographical sketches. 1461108 94,– 83 CARAVAGGIO & HIS FOLLOWERS IN ROME – OTTAWA, NATIONAL GALLERY OF CANADA – Catalogue by David Franklin & Sebastian Schütze. Ottawa/Fort Worth 2010/12. 4to. X, 333 S. mit 150 farb., teils ganzset. Abb., Bibliographie, Ppbd. This captivating book illustrates the notion of „Caravaggism“, showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. 1458047 42,80 THE LAST CARAVAGGIO – AM- STERDAM, REMBRANDTHUIS – Catalogue ed. by Bert Treffers & Guus van den Hout. Amsterdam 2011. 4to. 72 S. mit 41 meist farb., teils ganzseit. Abb., Bibliographie, brosch. Caravaggio’s „John the Baptist reclining“ is considered to be his last painting. This barely known work has never before been presented to the public. 1464821 24,80 CARRACCI – Vitali, Samuel. Romulus in Bologna. Die Fresken der Carracci im Palazzo Magnani. Römische Studien der Bibliotheca Hertziana, Bd. 30. München 2011. 4to. 352 S. mit 8 Farbtafeln & 220 Textabb., Ppbd.

career, this stunning book examines<br />

McQueen’s inimitable technical<br />

virtuosity and its subversion of<br />

traditional tailoring and dressmaking<br />

practices.<br />

1458020 34,80<br />

NOT A TOY. Fashioning Radical<br />

Characters. Ed. by Vassilis Zadianakis.<br />

Berlin 2011. 352 S. mit mehr<br />

als 300 farb. ganzseit. Abb., Kurzbiographien,<br />

Ppbd.<br />

This is the first book on the growing<br />

influence of Character design<br />

in fashion and art. Characters are<br />

reduced and abstract figures with<br />

a strong anthropomorphic appeal<br />

and bold graphical silhouette.<br />

Over the last decade, they have<br />

playfully sampled and remixed<br />

their way through visual codes and<br />

media, confronting the viewer<br />

head-on, regardless of cultural<br />

background. Now, this aesthetic<br />

strategy has a strong influence on<br />

contemporary fashion design. International<br />

artists create playful<br />

dresses, avant-garde costumes and<br />

hairstyles, re inventing the human<br />

body and sending their radical,<br />

new Characters onto the catwalk<br />

and beyond.<br />

1461474 49,50<br />

82<br />

RUBLACK, ULINKA. Dressing Up.<br />

Cultural Identity in Renaissance<br />

Europe. Oxford 2011. 376 S. mit<br />

156 Abb., brosch.<br />

A path-breaking study that imagines<br />

the Renaissance afresh by<br />

considering people’s appearances:<br />

what they wore, what image they<br />

wished to create, and how this<br />

made them feel. The book draws<br />

on an astonishingly wide range<br />

of sources to allow us to view the<br />

Renaissance from a completely<br />

new perspective and is brilliantly<br />

illustrated, with over 150 colour<br />

illustrations.<br />

1456242 45,–<br />

SCARVES. By Nicky Albrechtsen<br />

& Fola Solanke. London 2011. 4to.<br />

304 S. mit 257 (254 farb. ganzseit.)<br />

Abb., Adressenverz., Bibliographie,Glossar,<br />

Index, Kurzbiographien,<br />

Ln.<br />

Indispensable accessories and<br />

sought-after collectors’ items, scarves<br />

were an important innovation<br />

in 20th-century fashion. From Art<br />

Deco through 1950s Hollywood,<br />

the Swinging Sixties and beyond,<br />

scarves have been represented in<br />

every major decorative arts movement<br />

over the past century and<br />

into the present one. This marvellously<br />

illustrated compendium<br />

showcases the work of a wide<br />

range of international designers:<br />

Paul Poiret, Elsa Schiaparelli, Balenciaga,<br />

Mary Quant, Gucci,<br />

Christian Lacroix, Yves Saint Laurent,<br />

Zandra Rhodes, Nicole Miller,<br />

and many more. Here are<br />

more than 250 scarves, beautifully<br />

reproduced in colour and all specially<br />

photographed, and many<br />

never before seen in print.<br />

1457970 44,–

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