Buchhandlung Walther König

farb. Abb., brosch. – Text in dt. &
engl. Sprache.
This publication attempts to transform
the exhibition, treated as a
retrospective – it showed a crosssection
of Zobernig’s artistic
oeuvre from 1985 to the present –
into book form. It includes an
essay by Gregor Stemmrich in
which he focuses on the understanding
of the afore-mentioned
concepts as well as on their affects
on the perception of an art institution
such as the Museum Bärengasse.
This text not only reflects
the exhibition „ohne Titel (in
Red),“ but provides an insight into
Heimo Zobernig’s practice and
concerns in general. The publication
is realized in close collaboration
with the artist and contains
numerous installation views.
1463516 25,–
Künstlerbücher
ALYS, FRANCIS. Silencio. Maastricht
2011. 160 S. mit 160 farb.
Abb., brosch.
Eine stilisierte Zeichnung – Zeigefinger
vor geschlossenem Mund =
Leise! – als Fußmatte entworfen
in zahlreichen farbigen Varianten
und als Flipbook präsentiert.
1455897 16,80
ARMANDO. De stilte / Die Stille.
Gent 2010. Format 37 x 33,8 cm.
60 Seiten mit 2 Abbildungen sowie
drei beigelegten, arabisch nume-
170
rierten und signierten Lithographien,
broschiert in Schuber – Text
in deutscher und englischer Sprache
– Auflage: 50 arabisch numerierte
und im Druckvermerk signierte
Exemplare sowie 12 römisch
numerierte Exemplare a.p.
und einige Exemplare h.c.
1456982 820,–
ATELIER E.B. (Beca Lipscombe &
Susy McKenzie) s. S. 78
BOCK, JOHN. Howdy Bamington.
Paris 2011.
With „Howdy Bamington“ – a
collection of standing figures or
„puppet“ – each 60 cm in height
stylized and patterned individually
by the artist and his personal tailor,
adormed with unique and colorful
headgear, and equiped with
hand-embroidered cloth „books“
inspired by Japanese scrolls – John
Bock has produced a project
where the impulse to design a
more traditional book eventually
evolved into the complex fabrication
of a self-portrait of the artist
as a „ puppet“ – a figure of uncommon
humor, innocence, and
personal style. John Bock’s „puppet“
are conceptually connected
to the notions of performance,
provocation, and manipulation –
all central to his pratice. Edition:
30 numbered and signed puppets