26.02.2013 Aufrufe

24th ILAB International Antiquarian Book Fair - Vereinigung der ...

24th ILAB International Antiquarian Book Fair - Vereinigung der ...

24th ILAB International Antiquarian Book Fair - Vereinigung der ...

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Charles V King of France, a member of the House<br />

of Valois who died in 1380. Some scholars have<br />

put forwards the idea that one of the Magi in the<br />

miniature could be one of the two sons of Charles<br />

V. One of them became the King un<strong>der</strong> the name of<br />

Charles VI and the other was Louis of Valois, killed<br />

in 1407. – David in prayer and The Coronation<br />

of the Virgin: David’s scene features characteristic<br />

elements, such as God stretching out his arm, the<br />

windmill in the background, rough and angular<br />

rocks and the drawing of the water and the clouds.<br />

These elements are similar to <strong>Book</strong> of Hours we talked<br />

about (Katalog Tenschert 42).The Coronation<br />

of the Virgin is probably the miniature that shows<br />

more affinities. The only little differences are the<br />

faces and a detail of the canopy. With regards to the<br />

scene of David in prayers and the Adoration of the<br />

Magi, it is possible to find strong affinities in other<br />

<strong>Book</strong>s of Hours dating the first half of the fifteenth<br />

century, too. The Hours of Charlotte of Savoy<br />

(Pierpont Morgan Library, New York,MS M.100)<br />

is an example of these affinities. It was illuminated<br />

by Bedford Master together with two other artists<br />

one of whom was a follower of Boucicaut M., In<br />

Paris in 1420–25. Another examples are: the book<br />

exposed at the Getty Museum in Los Angeles (MS.<br />

22) that was ascribed to the Boucicaut Master’s<br />

workshop, and the book illuminated by Mazarine<br />

Master 469. Mazarine was one of the right-hand<br />

men of Boucicaut and he was often mistaken for<br />

him. – Provenance: This book belonged to Thomas<br />

Le Conte: «Se presen livre apartient a Thomas Le<br />

Conte» (f. 131v). Afterwards, it belonged to Pierre<br />

Le Comte and in the flyleaf it was written by hand:<br />

«Ce livre appartient a Pierre Le Conte, fait par luy<br />

en l’année Mil sept cent cinquante six». Finally, in<br />

1777 the book was sold: «J’ai achepté ce livre au<br />

l’encan de la veuve Pierre Le Comte le dimanche 4<br />

mai 1777 pour la somme de six solz payé comptant,<br />

et ce par curiosité. Il a été écrit en 1444 à Pâques».<br />

The letter dated 1779 is significant. Here, Mr. Ferrè,<br />

or Serrè, described the book to the anonymous new<br />

owner. The book had the same conditions as today.<br />

There is another letter dated 1844, in which the<br />

previous owner’s grandson described the manuscript.<br />

He explained that his father had removed<br />

the four miniatures from the book, but then they<br />

were inserted again.<br />

Giuseppe Solmi Studio Bibliografico 123

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