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78 Characterised by a sober and yet inviting style, EJ 315 embodies Danish design and furniture craftsmanship. The distinguished-looking wood base gives support to a slim structuring of cushions, which are given additional life and depth by the effect of many fastened buttons. EJ 315 comes across as stern and calm. In the fabric versions, covered in Erik Jørgensen’s classic fabrics, the precision with which the cutting has been executed can be seen in the linings on the surfaces of the cushions. EJ 315 quickly became known as the ultimate Danish fabric sofa of such high quality. The sofa was designed by furniture designer Erik Ole Jørgensen (1925-2002), whose simple, functionalist furniture has placed him among the best Danish furniture designers. EJ 315 Design: Erik Ole Jørgensen 79
80 EJ 600 Design: Erik Jørgensen Fordi EJ 600 ikke er opbygget med en udvendig skal, fremstår den som et selvstændigt, organisk korpus. Som en muskuløs organisme der på én gang er ren i formen og afslappet i udtrykket. De kraftige dimensioner på sæde, ryg og arme danner en harmonisk helhed, som udstråler tyngde i kontrast til de elegante, koniske ben, der giver en svævende helhed og trækker de horisontale linier frem. I 1996 blev EJ 600 relanceret som svar på en stigende efterspørgsel på fuldpolstrede sofaer med et kraftigere udtryk. Ved relanceringen blev sofaen også vist i en elementversion under navnet Landscape. Because EJ 600 is built without an exterior shell, it appears as an independent organic body, a muscular organism which comes across as a pure example of design, but with a relaxed appearance. The sturdy dimensions of the seat, back and armrests form a harmonious whole, which gives a sense of weight in contrast to the graceful, conic legs which create a floating unity and emphasise the horizontal lines. In 1996 EJ 600 was launched again to meet the growing demand for fully upholstered sofas which had a more solid look. The element version of the sofa, named Landscape, was also shown at the launch. 81
Page 2 and 3: EJ 5 Corona EJ 8 A-Chair EJ 11 Donn
Page 4 and 5: 6 EJ 5 Corona Design: Poul M. Volth
Page 6 and 7: 10 EJ 5 Corona Design: Poul M. Volt
Page 8 and 9: 14 Foersom & Hiort-Lorenzens Donna
Page 10 and 11: 18 I EJ 20 har professor Jørgen Ga
Page 12 and 13: 22 EJ 40 Design: Johannes Foersom &
Page 14 and 15: 26 EJ 56 Design: Erik Jørgensen En
Page 20 and 21: 38 EJ 70 · 80 Partner Design: Joha
Page 23 and 24: 44 EJ 96 Apollo Design: Johannes Fo
Page 25 and 26: 48 EJ 96 Apollo Design: Johannes Fo
Page 27 and 28: 52 EJ 100 Oxchair Design: Hans J. W
Page 29 and 30: 56 skills and his flair for materia
Page 31 and 32: 60 In 1982 the company changed its
Page 33 and 34: 64 EJ 150 Design: Gunnar Graversen
Page 35 and 36: 68 Foersom & Hiort-Lorenzens Flamin
Page 37 and 38: 72 EJ 220 · 270 Design: Erik Jørg
Page 39: 76 EJ 315 Design: Erik Ole Jørgens
Page 43 and 44: 84 EJ 600 Design: Erik Jørgensen 8
Page 45 and 46: 88 EJ 660 Design: EJ design team EJ
Page 47: 92 EJ 900 Pipeline Design: Johannes
Page 50 and 51: 98 EJ 1000 Oasis Design: Niels Gamm
Page 52 and 53: 102 EJ 144 Design: Anne-Mette Jense
Page 54 and 55: 106 EJ 400 Canobi Design: David Lew
Page 56 and 57: 110 EJ 800 Rotor Design: Johannes F
Page 58 and 59: EJ 880 Atlas Design: Legaard & Chri
Page 60 and 61: 118 Anne-Mette Jensen og Morten Ern
Page 62 and 63: 122 6-11 EJ 5 Corona design: Poul M
Page 64 and 65: 126 90-95 EJ 900 Pipeline design: J

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