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Denkmal für die ermordeten Juden Europas En analyse af debatten ...

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Third Reich be included? This debate took place on two levels. First,<br />

the problem was discussed on basis of the National Socialist’s ideology<br />

and their historical treatment of the Jews and the gypsies. Second, the<br />

discussion referred to the discrimination of gypsies and homosexuals<br />

<strong>af</strong>ter the war and argued that now was the time to include everyone<br />

and tear down the hierarchy of victims. The outcome was a monument<br />

solely in remembrance of the Jews, but the decision was criticized<br />

intensely indicating a possible decline in discrimination.<br />

Another question posed was where to erect the monument as<br />

every location involved a frame of interpretation. What story should<br />

be told through the location? In the end, a site outside the old city<br />

centre and close to Hitler’s bunker was chosen. This triggered a heated<br />

debate about the responsibility for the Holocaust. Would a monument<br />

for the Jews on top of the Nazi-elite’s headquarter not acquit the<br />

normal Germans of the crimes committed by the Wehrmacht? Some<br />

suggested erecting the monument on the square in front of the<br />

parliament which bares the inscription “The German people”. This<br />

would have placed the guilt exclusively on the people, which again,<br />

would have been a ghastly mistake.<br />

The third and last question <strong>analyse</strong>d in the paper is how to design<br />

a monument to remember the 6 millions Jews killed. Monuments are<br />

traditionally connected to hegemony and power. This led many to<br />

denounce the capabilities of monuments when it comes to enormous<br />

catastrophes as the Holocaust. However, in the recent years younger<br />

artists have challenged the traditional monument and designed<br />

countermonuments. That is, monuments that do not convey a single<br />

story, but are open to the observer giving rise to personal reflection.<br />

Peter Eisenman’s Field of Memory contains these elements and it will be<br />

interesting to see how visitors will interact and reflect on the<br />

monuments’ space in the future.<br />

Some fear that this memorial will end the “coming to terms with<br />

the past” process in Germany. On the contrary, the 17 years of debate<br />

have caused a continual focus on the atrocities of the past. Meanwhile,<br />

16 other monuments have been erected in Berlin. This could possibly<br />

be too many and their life will rest in obscurity to be visited only by<br />

tourists. On the other hand, they could also be a constant source of<br />

reflection over the past and force their visitors to ask – “how could it<br />

happen?”<br />

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