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Speciale af Helle Børsen Rosholm Vejleder Hans Jørgen Frederiksen Årskortnummer 20032411 Litteraturliste: Bodelsen, Merete: Gauguin og Van Gogh i København 1893, Ordrupgaard, Grafodan Offset, København, 1984 Brettell, Richard R. og Anne-Birgitte Fonsmark: Gauguin and Impressionism, Yale University Press, Italy, 2005 Brettell, Richard R.: Gauguin and Paper. Writing, Copying, Drawing, Painting, Pasting, Cutting, Wetting, Tracing, Inking, Printing” In Stephen F. Eisenman (red.): Paul Gauguin. Artist of Myth and Dream, Skira, Italy, 2007, pp. 59 – 67 Brincker, Jens: Det moderne og det ny, Systime, Gylling, 2002 Buser, Thomas: Gauguin´s Religion, in Art Journal, vol. 27, no. 4, 1968, pp. 375 - 380 Cheetham, Mark A: Mystical memories: Gauguin’s Neoplatonism and ”Abstraction” in Late- Nineteenth-Century French Painting, In Art Journal, vol.46, no. 1, Mysticism and Occultism in Modern Art, 1987, pp. 15 -21 Cheetham, Mark A: The Rhetoric of Purity. Essentialist Theory and the Advent of Abstract Painting, Kap. 1 Out of Plato’s Cave: ”Abstraction” in Late Nineteenth-Century France, Cambridge University Press, USA, 1991 pp. 1-40 Danielsson, Bengt: Gauguin’s Tahitian Titles, The Burlington Magazine, vol. 109, No. 769, april 1967, pp. 228 - 233 Denvir, Bernard: Paul Gauguin. På jagt efter paradis. Breve fra Bretagne og Sydhavet udvalgt og præsenteret af Bernard Denvir, På dansk ved Jytte og Peter Dürrfeld. Gyldendal, Malaysia, (1992), 1995
Speciale af Helle Børsen Rosholm Vejleder Hans Jørgen Frederiksen Årskortnummer 20032411 Eisenman, Stephen F.: Gauguin’s skirt, Thames and Hudson, Slovenien, 1997 Frèches-Thory, Claire: The paintings of the First Polynesian Sojourn, In Gauguin Tahiti. The studio of the South Seas, Shackleford, George T. M. and Claire Frèches-Thory (ed.), Thames and Hudson, United Kingdom, 2004, pp. 17-47 Friborg, Flemming: Gauguin – et essay, Ny Carlsberg Glyptotek, København, 2003 Gauguin, Paul: Noa Noa. På dansk ved Paul La Cour. Forord af Mag. Art. Meïr Stein. Gyldendal, København, 1960 Gedo, Mary Mathews: Retreat from an Artistic Breakthrough: Gauguin’s ”Nude Study (Suzanne Sewing), in Zeitschrift für Kunstgeschichte, 58 bd., H. 3, 1995, pp. 407- 416 Goldwater, Robert: Symbolism, Butler and Tanner, Great Britain, 1979 Herban III, Mathew: The Origin of Paul Gauguin’s vision after the Sermon: Jacob Wrestling with the Angel (1888), in Art Bullentin, vol. 59, no. 3, sept. 1977, pp. 415 - 420 Hughes, Robert: Det chokerende nye, Samlerens forlag, København, (1980), 1981 Jaworska, Wladyslawa, ”Christ in the Garden of Olive-Trees” by Gauguin. The Sacred or the Profane? in Artibus et Historiae, vol. 19, no. 37, 1998, pp. 77 - 102 Jirat-Wasiutynski, Vojtech: Paul Gauguin in the context of Symbolism, Garland Publishing, Inc, New York and London, USA, 1978 Jirat-Wasiutynski, Vojtech: Paul Gauguin’s ”Self-portrait with Halo and Snake”: The artist as Initiate and Magus, In Art Journal, vol. 46, no.1, Mysticism and Occultism in Modern Art, 1987, pp. 22-28
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